I am excited to spread the news that Khaty Xiong’s new chapbook, DEER HOUR, is now available from New Michigan Press as part of their 2014 chapbook series. I had the honor of writing a blurb for DEER HOUR, and have since been nothing but excited that it is out in the world. The book is ghostly, resistant, and moving. Xiong’s biography (below) is copied from a recent issue of interrupture.
Khaty Xiong is a second-generation Hmong-American from Fresno, CA. She received her MFA in Poetry from the University of Montana, where she was also the 2013 recipient of the Merriam-Frontier Award for her poetry chapbook Elegies. Her first book of poetry Poor Anima is forthcoming from Apogee Press and her second poetry chapbook Deer Hour is forthcoming from New Michigan Press. Recent publications include Birdfeast, MiPOesias and New Nowhere among other journals. Currently, she resides in Dublin, OH.
You can find DEER HOUR for $9 here, and keep an eye out for her full-length debut here.
I’m happy to say that I got to spend the last year year collaborating with UK poet Linda Black via the wonder of the internet, and our poems—six “original” poems and the redactions we made of each other’s—are now up on Likestarlings.
Likestarlings is an exciting journal that pairs up poets for collaborative projects. It is rad in and of itself, and definitely worth checking out.
Rochelle Hurt, poet, Rust Belt and Ohio native, and author of THE RUSTED CITY, very, very kindly interviewed me for one of her posts as guest blogger for The Best American Poetry blog. I get pretty geeky in the process (par for the course)–her questions were rad. If you’d like to read about aesthetics, accessibility in poetry, Sookie Stackhouse, or read a poem about Man O’ War, here is the link to the interview.
My real recommendation is to read Rochelle’s book. For one thing, it is a novel in verse, and there’s no way to describe the work the prose poems do with large-scale formal conceit and emotion that is as moving as the experience of reading the book yourself. For those of us who lose gray matter stressing over ordering poems into something that approximates a book as opposed to a doorstop, I would point to THE RUSTED CITY a book of poems that is very confidently a book, and lovingly so. The stories of a Rust Belt city, a family, systemic ruin, labor, a daughter, and creation itself are all told through a perspective that is carefully crafted while embracing the inorganic skew that is a (un)natural result of the fractures of the era. I would recommend this collection especially to anyone who is interested in lyric character-growth, world-building, and love of people, or of the world.